Heh, oi, the fantasy subsections! When I finished my first novel, it was time to do the query, and so many examples have qualified genres: "multicultural romance," "urban fantasy," "bio-thriller mystery", and so on. That may be some part of where authors get confused (especially when new to it all), because we think, oh, we should clarify as much as possible. I had the full list: multicultural, queer, urban, fantasy, thriller.
There were two things I learned: one, if your summary/teaser can identify sub-genres--gay Japanese DEA agent, multicultural, queer, urban, check, check, check; has car chases, thriller, check--there's no need to identify any but the biggest: fantasy. Just slap the biggest on there and let the agent and/or editor whittle it down to proper categories. Identifying the rest is just treating the agent/editor like s/he's stupid: in case you MISSED the __ __ __ points in the teaser, I'm going to remind you: western urban SF thriller chick lit, damn it!
And the second thing I learned was that first novels pretty much, for the most part, suck. All the fancy adjectives and qualifiers don't mean jack if the story don't sing.
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Re: Urban Fantasy//Dark Fantasy/Paranormal
Date: 2006-03-17 09:47 pm (UTC)There were two things I learned: one, if your summary/teaser can identify sub-genres--gay Japanese DEA agent, multicultural, queer, urban, check, check, check; has car chases, thriller, check--there's no need to identify any but the biggest: fantasy. Just slap the biggest on there and let the agent and/or editor whittle it down to proper categories. Identifying the rest is just treating the agent/editor like s/he's stupid: in case you MISSED the __ __ __ points in the teaser, I'm going to remind you: western urban SF thriller chick lit, damn it!
And the second thing I learned was that first novels pretty much, for the most part, suck. All the fancy adjectives and qualifiers don't mean jack if the story don't sing.