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I had a really interesting experience this past weekend. I was at the Silicon Valley Romance Writers' business conference thingie, and I did a 45 minute Q&A. I was asked:
What are the things that make you cringe during a pitch session?
My answer was twofold:
1. When someone sits down and says, "I submitted something to you a few weeks ago and I want to talk about what you thought."
Jeez! There is pretty much no way that I am going to remember your submission, if I have even read it yet, which is, frankly, unlikely. I mean, that is just absurd. Not to mention that even though I personally tend to go through my submissions myself (even if/when I have someone act as "first reader" on some), lots of other editors do not.
As I have said before, more than once, we are not paid to read submissions. Assistants are paid to read an editor's submissions (at least partially, anyway) -- editors are paid to edit. Editors are paid to make their companies money. Okay, yes, it is totally more complicated than that, and I am not being fair or realistic -- but come on. It's neither fair nor realistic to expect (a) that I would have even read your submission yet, or (b) that I'd remember it.
2. When someone sits down and says, "I don't have anything to pitch to you -- I just wanted to meet you."
By doing this, that person is taking time away from someone who could be pitching to me. If you want to meet me, hook up with me at the bar like everyone else. We'll do tequila shots, I'll show you pictures of my cats, and by the end of the night (or drink), you will have one of my business cards, and an invitation to send your work to me if it's the sort of thing I acquire.
And if you don't know what I acquire, Google my name.
(To use an example that isn't me, if you buy Hilary Sares a drink, and she gives you a card, and you're not sure that what you write is what she acquires -- well, Google her name, and you will see that the first link is to a bio where it says plainly what she's acquiring. Hell, the worst that can happen is that she sends you a form reject, right?)
To sum up, in the words of
jaylake: Don't be an idiot.
The interesting thing that happened to me, though, was this: people who I remembered from the panel, did exactly the above things, even after I'd said not to.
And not one person did tequila shots with me at the bar later, although I did have several delightful conversations over a vodka collins (with cherries and olives, thank you).
What are the things that make you cringe during a pitch session?
My answer was twofold:
1. When someone sits down and says, "I submitted something to you a few weeks ago and I want to talk about what you thought."
Jeez! There is pretty much no way that I am going to remember your submission, if I have even read it yet, which is, frankly, unlikely. I mean, that is just absurd. Not to mention that even though I personally tend to go through my submissions myself (even if/when I have someone act as "first reader" on some), lots of other editors do not.
As I have said before, more than once, we are not paid to read submissions. Assistants are paid to read an editor's submissions (at least partially, anyway) -- editors are paid to edit. Editors are paid to make their companies money. Okay, yes, it is totally more complicated than that, and I am not being fair or realistic -- but come on. It's neither fair nor realistic to expect (a) that I would have even read your submission yet, or (b) that I'd remember it.
2. When someone sits down and says, "I don't have anything to pitch to you -- I just wanted to meet you."
By doing this, that person is taking time away from someone who could be pitching to me. If you want to meet me, hook up with me at the bar like everyone else. We'll do tequila shots, I'll show you pictures of my cats, and by the end of the night (or drink), you will have one of my business cards, and an invitation to send your work to me if it's the sort of thing I acquire.
And if you don't know what I acquire, Google my name.
(To use an example that isn't me, if you buy Hilary Sares a drink, and she gives you a card, and you're not sure that what you write is what she acquires -- well, Google her name, and you will see that the first link is to a bio where it says plainly what she's acquiring. Hell, the worst that can happen is that she sends you a form reject, right?)
To sum up, in the words of
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The interesting thing that happened to me, though, was this: people who I remembered from the panel, did exactly the above things, even after I'd said not to.
And not one person did tequila shots with me at the bar later, although I did have several delightful conversations over a vodka collins (with cherries and olives, thank you).
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*grin*
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I rarely get orders for collins drinks. I have been getting more since the bar where I work put a Tom Collins, attractively photographed, in the drinks menu, but people usually don't know what they are, they've just heard of them. When I ask "vodka or gin" most of these people look at the menu, where it says "Tanqueray", and look puzzled because they don't know what kind of liquor that is. So I sigh, and make it as described in the menu, and half-expect them to send it back because it's really not as sweet as it looks like it ought to be.
I always garnish them with a lemon if I'm in a hurry, or a cherry and orange if I'm not. I have never heard of putting olives in. This intrigues me.
I don't generally do tequila shots, but if I ever finish this bloody manuscript I will. :)
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People who cannot order liquor are annoying. Pooh to them!
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tequila
(Anonymous) - 2006-05-24 23:14 (UTC) - Expandno subject
On the other hand, I'm also an extremely reliable designated driver.
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Tequila shots make me fall asleep too. I'm actually more of a vodka girl. But I've made a vow to do at least one tequila shot at every con I go to this year. Just, um, because I felt like it. :)
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See me at RT
(Anonymous) - 2006-05-08 20:24 (UTC) - Expandno subject
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But then, I haven't yet found a way to condense my novels into one sentence to pitch, either. At least not one sentence that would hook those tequila and gin drinking agents and editors, not even after they had lots of said beverages. *grin*
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I apologize. I would have loved to see pictures of your cat and drink tequila.
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Cringe. This actually comes from RWA talks on pitching to editors. They suggest meeting with an editor even if you don't have anything to pitch, so you can find out what they read and what they're looking for. :/
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Infuriating.
People who want to know what agents and editors are looking for should come to the damned Q&A sessions.
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So. Next con we're both at, I'll buy you a few shots of tequila and I'll sip my whisk-AY! Howzat?
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I don't quite get why people sign up for a pitch appointment if they just want to meet you. Maybe I'm just weird, but I'd be much more comfortable just chatting in a casual setting than trying to impress someone in a preappointed pitch session.
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But then again, I did end up pitching, so hey... *shrug*
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(Anonymous) 2006-05-09 12:46 am (UTC)(link)-Torie
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Inquiring minds and all that...
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http://alg.livejournal.com/72895.html#cutid1
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"Hi, I'm here to waste 10-15 minutes of your life." *grin*
**suhlaaaap!**
I should hire myself out as a pitch session bouncer for writer cons.
-=Jeff=-
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Bar Drinks
(Anonymous) 2006-05-11 06:02 pm (UTC)(link)Re: Bar Drinks
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Uh. Okay.
But I wanted to say thanks for the P&L post from last month. A friend linked to you today, and it was interesting to see a concise review of the subject so well-explained--if I ever have anyone ask me how it works, I may just send them the link to your entry!
Stacy Whitman
Associate Editor, Mirrorstone Books
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Tequila shots
(Anonymous) 2006-06-09 02:46 am (UTC)(link)