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Profit & Loss/Profitability & Liability: How Books Make (or Don't Make!) Money

A basic outline of what happens when an editor buys a book and wants to publish it. This is very much a basic look at publishing and publishing finance, with some explanation of terms commonly used by the marketing and sales departments.

(no subject)

Date: 2006-04-25 02:46 am (UTC)
From: [identity profile] kallisti.livejournal.com
Thanks for writing that up. I can now point people at this...

I've heard this analysis of the costs of publishing a book any number of times...I used to run CAN-CON, an SF convention that David Hartwell used to frequent, and it always fascinated me how all of this anaylsis defines how a book can affect the career of a writer. It is scary how so much of the success of a writer depends on good estimating by publisher. A bad job of estimating will stall or ruin the career of a new writer, which is a shame. But it is an important piece of information for writers to know about, and plan their careers with.

ttyl
Farrell J. McGovern

...Co-Founder of CAN-CON, The Conference on Canadian Content in Speculative Arts and Literature.

(no subject)

Date: 2006-04-25 02:49 am (UTC)
From: [identity profile] alg.livejournal.com
Not only estimating, but any part of the human factor! What always scares me is how much luck everything takes.

(no subject)

Date: 2006-04-25 03:24 am (UTC)
From: [identity profile] kallisti.livejournal.com
Ya, the old story about the Thomas Covenant books (apocryphal or not), after being shopped to 19 different publishers, being bought by the same publisher they were initially shown to is a good example of the "human factor". Luck...well, that's always a factor in any business. The "Fickle Finger of Fate" is an invisible weathervane in all human endeavors.

ttyl

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anna genoese

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